We live in between the need to always be with oneself and the need to always be in the world. "I am going to (re)know you and then I am going to (re)know myself." In this space between oneself and the world, a space to play opens up, at the origin of expression.

 

In our gaze upon the world, there are attractions, small pauses where perception settles and opens to a poetic space.
A place of repose – where one dwells and savors – and of movement – carried by a desire to create.
Memory meets the present, and imagination deepens the connections, bringing forth meaning.

 

Practice immerses itself in an organic flow from body to voice, weaving connections between its resources and otherness, from which new forms emerge.

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The Body and the Voice

• Breath, resonators, textures, rhythm, melody

• Connection body, voice, singing

• Listening to impressions, the perception of sensations

• Presence: memory and passage; a support that receives

• Creative materials: traveling through the resources of one’s imaginary home.

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Where does my attention – attraction go?
We can only think about one thing at a time.
Alternating focus between inner understanding and openness to the world.
Varying the focal: from the small to the immense, from movement to rest, from sensation to sound.

Regarder (To look) as to Care for, to vigil (from Old French).

 

Art, a movement of becoming.
Becoming escapes the constraints of needing to know before acting or producing an outcome.
Attraction carries the impulse of creation. Becoming carries its aspiration.

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